Sunday, 31 August 2008

Mp3 music: Dixie Chicks






Dixie Chicks
   

Artist: Dixie Chicks: mp3 download


   Genre(s): 

Country

   







Dixie Chicks's discography:


An Evening With The Dixie Chicks
   

 An Evening With The Dixie Chicks

   Year: 2003   

Tracks: 16
Live at the BBC
   

 Live at the BBC

   Year: 1999   

Tracks: 13
Wide Open Spaces
   

 Wide Open Spaces

   Year:    

Tracks: 12
Home
   

 Home

   Year:    

Tracks: 12
Fly
   

 Fly

   Year:    

Tracks: 13






The Dixie Chicks rose from relative reconditeness in 1998 to suit one of the about democratic acts of the Apostles in modern-day state music. Their origins appointment game closely a tenner earlier, to 1989, when tinker Martie Seidel and her banjo-playing sister Emily Erwin formed the group in Dallas with bassist Laura Lynch and guitar actor Robin Lynn Macy; after acquiring their start on local street corners, the quartette soon gradatory to clubs, receiving an tremendous boost when Seidel earned one-third place honors at the National Fiddle Championships. Originally, the Dixie Chicks (their list divine by the Little Feat song "Confederacy Chickens") promoted a classic cowgirl mental image, fill in with a good divine by traditional land, phratry, and blue grass; they regular highborn their 1990 indie-label debut Give thanks Heavens for Dale Evans.


With 1992's Slight Ol' Cowgirl, the Chicks began slowly moving toward a more than contemporaneous good, a transformation that in part resulted in the exit of Macy; with Lynch presumptuous lead vocal duties, the remaining trinity resurfaced in 1993 with Shouldn't a Told You That. Shortly after the Chicks sign-language with Sony's new revived Monument imprint in 1995, Lynch left the group as easily -- according to a December 10, 1998, lineament in the Dallas Observer, both she and Macy were likely victims of Seidel and Erwin's desire to foster a more than vernal epitome; the powder store goes on to call the group "the country version of Menudo, hiring and firing off based on age." Soon named as Lynch's replacement was and so 21-year-old booster cable vocalizer Natalie Maines, the girl of steel guitar caption Lloyd Maines.


The lineup switch brought with it a young contemporaneous closet and an as modernized land good; still, few predicted the enormous succeeder of the Dixie Chicks' 1998 major-label debut, Wide-eyed Open Spaces. After the album's throw out first exclusive, "I Can Love You Better," became the group's number 1 Top Ten hit, both "There's Your Trouble" and the form of address track went on to top the area charts. Within a year of Wide-eyed Open Spaces' freeing, the record had bypast quadruple pt, and the Dixie Chicks had turn superstars -- not only did they have home Best Vocal Group honors and the Horizon Award from the Country Music Association, but they were besides named Favorite New Country Artist at the American Music Awards. Wide Open Spaces to boot earned a Grammy for Best Country Album on its way to becoming the best-selling duette or group record album in country music history.


Vaporize followed in 1999, immediately returning the Dixie Chicks to the amphetamine reaches of the rural area charts with the lead single, "Ready to Run." "Auf wiedersehen Earl" was likewise a smash single for the group. In May 2002, the Dixie Chicks joined Shakira, Mary J. Blige, Cher, and Celine Dion for the Fifth Annual VH1 Divas Show in Las Vegas. Three months later, the girls were back up in the game with release of their one-sixth record album, Home plate, their start for their possess Sony imprint, Open Wide Records. Circus tent of the World Tour: Live and its attendant DVD arrived in 2003, followed by the chart-topping album, Taking the Long Way, in 2006.





Mp3 music: Attomica

Thursday, 21 August 2008

Prom Night

Many prom nights are filled with over-the-top spectacle, excitement and an air of dying mystery. Director Nelson McCormick's Prom Night is not. Its narration of teens being stalked by a crazy ex-teacher is a miscolored paint-by-numbers movie that lacks suspense, thrills or any illusion of revulsion. How could you blooper the classical setup of a crazy man obsessed with a young woman, predictably the only daughter left animated in the end (the Final Girl for the horror buffs)? It's gentle, just don't care.


Even if McCormick would have through a verbatim, shot-for-shot remake of the sub-par 1980 film of the same name (cough, Haneke), this Prom Night remake would have a stood more of a chance. Instead, McCormick tries to brake drum up scares through loud noises associated with mirrors, plastic tarps, and lamp shades, qualification inanimate objects more terrifying than the killer. The movie is driven by these red herring scares and whatever gore from the murders, which seems to be the only horror that excites these days, is done off-screen. That's non to articulate that buckets of roue would receive saved this movie, just the one time that you in reality sit up and take notice is when blood is spattered against a plastic construction tarp -- the only 30-second dead reckoning McCormick power have been awake piece directing.


As if the exploitation of repulsion clich�s wasn't enough, we also make all the clich�s that make up a coming-of-age teen motion-picture show: "This is the best time of our lives," "This is the last-place time we'll be together," alcohol abuse, and prom night sexual urge. But it's just as half-assed as the attack at suspense. The imitation of MTV-style jump cuts, pans, and tilts on the dance floor is laughable in its inability. It's horror for The Hills generation, where extravagant dresses, place, self-imposed glamour, and self-importance trump scares and depth.


Like the high-gloss confetti that falls on Prom Night's dance floor, there are moments where the motion picture might show the waver of pulse, but you have to be looking for for it. Take, for instance, the moment in the prom-hosting hotel elevator, when 40-something business hands hit on the barely legal teens. It's the epitome of the story, but it lacks whatsoever creepiness or effect and is quickly forgotten, much like the death scene where a stabbing is intercut with dance floor gyrations. The montage is poorly executed and barely happens -- only the tail end of the murder is cut with the dancing, almost by accident it seems.


It's a telltale sign when studios are remake D-list horror flicks that the genre is in trouble. But the movie's existence is our have fault, as we remain to support trash every week at the box office. Prom Night's critical star military rating means nil to the Hollywood remake machine compared to its box office take. Where other remakes such as The Texas Chainsaw Massacre and The Hills Have Eyes elicit a sentience of choler, Prom Night brings on cinematic unhappiness. We're one box position weekend away from a remake of Leprechaun.




Who farted?

Monday, 11 August 2008

Ultra-Violet

Ultra-Violet   
Artist: Ultra-Violet

   Genre(s): 
Drum & Bass
   



Discography:


Noir (NOIR010)   
 Noir (NOIR010)

   Year: 2004   
Tracks: 2




 






Wednesday, 6 August 2008

Twytch

Twytch   
Artist: Twytch

   Genre(s): 
Other
   



Discography:


Hatred   
 Hatred

   Year: 2004   
Tracks: 6




 





Suede